Boom! A Studio Update On The Second Sylvium Album

And here is a new update for the Sylvium blog!

Writings on the Wall

It all started with a joke…

After Antal recorded the piano parts for the demo of ‘Breaking’ (working title) that would be the sixth track on ‘Waiting For The Noise’, someone made the comment about constantly hearing a saxophone solo in his head at the end of the song. Surprisingly, Antal took up the challenge and recorded an example of what it would possibly sound like using a sax from a sample library.

Initially met with cautious enthusiam, as we weren’t sure if this would fit in with our overall sound ( as a band and the sound of the upcoming album), it began to grow on us. This sax solo became such an integral part of the song, we couldn’t unhear it anymore. We decided we wanted to keep this on the record, as it just added the right vibe that we were looking for in that particular track.

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Crash! A Studio Update On The Second Sylvium Album

And here is another studio update on the new Sylvium album!

Writings on the Wall

And now we come to the bottom end of the album; the bass guitars! They’ve always been quite an important feature in Sylvium, not just because its all done on a Rickenbacker bass guitar ( which has a phenomenal sound!), but because Gijs is playing them. His quite pronounced playing has brought quite a dimension to the tracks when we were writing and arranging the tunes for the new album and it makes everything sounds extremely punchy, narly and powerful.

Hard at work recording the new songs. Rawk!

So although the sound hasn’t changed for the majority of the album, it did for one tune in particular, currently known under the working title ‘Breaking’, where Gijs’ bass playing almost sounds like a fretless bass guitar in certain places, being used minimalistically to create a sonic landscape of its own. You can imagine how excited we were when Gijs first played…

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